Pia Seidel
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Bingo: this collection surprises with its playful design

Pia Seidel
24.6.2024
Translation: Katherine Martin

Palma is a Brazilian creative studio based in São Paulo, founded in 2020 by artist Cleo Döbberthin and architect Lorenzo Lo Schiavo. The duo work in the fields of stage design, graphic design, interior design and product design. They recently showcased a collection influenced by game aesthetics.

At first glance, the pieces in Bingo – Collection No. 2 look very different. What do they have in common?

Your «Mikado» table lamp has sticks, much like the game Mikado does. How did you come up with the idea of using fragile elements like these as a lamp base?

When we were researching games, we came across Mikado sticks and thought they were the perfect inspiration for some pieces. We’d been meaning to work on a millipede idea for a lamp for some time. That’s why the Mikado set with its 41 sticks seemed like a good starting point.

Are these fun elements something you actively pursue in your designs or is it sheer coincidence?

So how would you sum up the theme that guides your designs?

As well as the approach you take, your choice of materials is also unusual. Your «Estrela» lamp, for example, is made of coconut fibre sponges. Where did you get the idea of using that material?

Coconut fibre is a material that we’ve been exploring since making our first pieces. The things we like about it are its rich natural colour and unique feel. Besides that, it’s a very inexpensive and widely used material. As it’s usually made into either slabs or sponges, we’ve used both in this collection. It boasts great potential in terms of shape and structure. Like a game, it invites the viewer to touch and interact with it.

Do you deliberately use natural materials such as coconut fibre and eggshells?

We wanted to work with eggshell mosaic even before we started making furniture. We’d become aware of it through the work of the Swiss-French lacquer artist Jean Dunand as well as Japanese lacquer art in general. We were immediately attracted to its beautiful texture, surface finish and varied uses.

I imagine working with eggshells is as fiddly as playing Mikado. How did you tackle that?

For the first pieces we made using this technique, we actually got the eggs together ourselves – we used ones we’d eaten for breakfast. First, we had to learn how to use the material by doing internet tutorials and reading the very few written sources out there, as we couldn’t find a suitable supplier. We think unusual, natural materials like this have unique properties. It’s great that we’ve now found a way to use them instead of throwing them away.

Header image: Pia Seidel

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Like a cheerleader, I love celebrating good design and bringing you closer to everything furniture- and interior design- related. I regularly curate simple yet sophisticated interior ideas, report on trends and interview creative minds about their work.


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