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In the richly varied

Michael Restin
1.11.2019
Translation: machine translated
Pictures: Thomas Kunz

All around, the great roar of the Rhine gorge, velvety green forests, rugged rock faces and rounded stones. Below, a kayak in the current. And at the back, a man singing, comparing white water rafting to making music. Well then: Play me the song of the boat.

«We've been to places that you know for a fact no one but a few paddlers have ever been to.»

On the Paddle Express

And an RhB ticket machine can do what no abyss or waterfall can: It can put Ruedi off his stride. The submenu where the price for our sports luggage is hidden is more difficult to fathom than any Stomschnelle. But the journey itself is an experience. We heave the kayaks into the luggage wagon and stand at the window on the way to Ilanz, while the undulating Rhine rushes by outside and the anticipation builds.

On dry land

In the current

A few paddle strokes and we're already gliding in the middle of the current. It is still flowing calmly at this point, but the undertow increases and so does the noise. I paddle over shoals and rocks more on instinct than with forethought and wait for commands, knowing that Ruedi will get us on course in time with powerful strokes.

We rumble over round stones and paddle diagonally to the current, lean over and quickly back again. I hear "Rocks!", "Turning water!" and "Paddle, paddle, paddle!", then for the first time I think we're going to capsize. But we don't. Ruedi has simply manoeuvred us out of the current and I can feel that a lot is happening from the hip here, that the inclined position in the kayak is not an emergency, but a necessity.

"The switchback is essential for survival," Ruedi tells me. Behind obstacles, where the current slows down or reverses, there is a natural refuge that every paddler must be able to reach. To rest, paddle upstream and reorientate before heading back into the white water. So we practise.

In the white water

When the tip of the kayak plunges in, water lapping against your chest and lapping at the rocks around you in soft waves and eddies, it's hard not to have a smile on your face. Everything begins to rush and the senses dance to the beat of the elements. The undertow feels alive and tempts you to want to be swept further and further away.

The water chooses the path of least resistance. It only has this one option. The paddler, on the other hand, has many, which includes fatal ones. "Over time, you learn to play with the water," says Ruedi. "It's like playing the flute." What is a big noise to my ears is music to his.

In the fluid mechanics seminar

In calm waters

We let ourselves drift. The water no longer foams and recedes, as if it didn't want to steal the show from the gorge. The Ruinaulta rises majestically and we, who had been looking down on it from above not long before, put our heads back. Four mermen enjoy the frog's-eye view, the constant changes in perspective that occur when everything is in flux.

Time to look around. And time to ask stupid questions. "What do you actually do when the paddle breaks?" I want to know. Because in the shallows, in the confusing rapids, I hardly dared to dip it into the water for all the stones. I imagine a shredded paddle blade like that in really wild water to be dramatic. "Paddle on with half a paddle," replies Ruedi. I learn the hard way that the game of possibilities must go on and sometimes only one remains.

Under water

Experience it for yourself

Our trip took us from Versam-Safien on the Rhaetian Railway to Ilanz and from there back to the starting point by water. This is the wilder part of the Vorderrhein, the subsequent stretch from Versam to Reichenau is quieter. Those who are not confident in white water can hire an expert guide or experience the Rhine Gorge while rafting.

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Simple writer and dad of two who likes to be on the move, wading through everyday family life. Juggling several balls, I'll occasionally drop one. It could be a ball, or a remark. Or both.


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