Background information

And Cut! That time the Netflix founder was made a laughing stock by Blockbuster

Luca Fontana
12.11.2019
Translation: Jessica Johnson-Ferguson

When Netflix founder Reed Hastings offered Blockbuster Video his company for 50 million dollars, he was laughed at. And Antioco, the CEO of Blockbuster, made the worst business decision of his life

40 dollars. That was the amount owed for the late return of an «Apollo 13» DVD.

Reed Hastings, still oblivious of the fact that he would go on to found Netflix, is not even thinking about paying the fine he owes the DVD rental service Blockbuster Video. After all, the ridiculously high price is not his fault but that of Blockbuster’s excessively restrictive procedure. And besides, what would his wife say?

Unbeknownst to anyone at the time: this fine would change the video rental business forever. It was the flap of the butterfly’s wings that turned into a hurricane – in the shape of the worst business decision in history.

For Blockbuster Video, that is.

It started with a fine

The men know each other because Hastings is the director of software company Pure Atria at the time. Randolph is employed as head of marketing after Hastings bought his former company QA Software. From that day forward, they drive to work together every day and work on new ideas.

But this drive is different. Meanwhile, they’ve been on the road for one-and-a-half hours. State Route 17 is coming to a standstill. That leaves plenty of time to make history.

«Marc, do you think it would be possible to send DVDs by post without breaking them?»

Netflix is born

Hastings and Randolph don’t hesitate. Convinced that they’ll do a better job than the multi-billion enterprise that is Blockbuster, they set up their first startup company with a seed capital of 2.5 million dollars.

Netflix is born.

Their advantage over Blockbuster Video: the Internet. Hence the name «Net» for Internet and «flix» for flicks or movies.

Their business model is simple. Customers select the movies they want on the Netflix homepage, pay per movie and have the DVDs delivered to their home by mail. No need to go to the rental store. No need to look for the DVD. No disappointment if somebody else has already rented it. Clever. The red envelopes used to send the DVDs are still reflected in Netflix’s look today.

Next up is a subscription. For 22 dollars a month, customers can rent as many movies for as long as they want – no fees for late returns. Hastings is all about convenience. One year later, they switch to a subscription-only model: renting movies without being a member is no longer possible.

The startup company is growing and has sparked peoples’ attention. Before too long, Netflix is no longer a small fish in the rental business.

There’s a smell of change in the air.

The dot-com bubble – a global crisis

The progress the internet has brought to the world has triggered a state of euphoria. Risks are taken. Investors make gullible decisions. Every dot-com business will be worth billions. No doubt.

But with each dot-com turned multi-billion enterprise, such as Amazon or eBay, come hundreds of others that fail – take Pets.com or Kozmo, to name but a few.

Netflix has reached the end of the road.

In September 2000, Hastings and Randolph see only one way out of the mess they’re in. That way leads them to Dallas, Texas.

Home of their nemesis. Blockbuster Video.

The worst business decision

Hastings and Randolph look at each other one last time before entering the tower of glass and steel. High above, on the 23. floor, towers the office of John Antioco, Blockbusters’s CEO.

This is where business is done.

Hastings picks up speed. «But there are certainly areas where Blockbuster could use the expertise and market position that Netflix has obtained to position itself more strongly.» Particularly in the online field.» Hastings belonged in that room, and he knew it. «We will find the synergies that come from the combination, and it will truly be a case of the whole being greater than the sum of its parts».

And then: «We should join forces.»

Financially speaking, Blockbuster does not need Netflix. Despite its abysmal reputation. Hastings and Randolph are very much aware of that. But Blockbuster Video is faced with an even greater problem: progress. For the world is going online. Regardless of the dot-com bubble. Not only is Blockbuster Video in a bad position to take advantage of this trend, John Antioco seems oblivious to it.

Hastings and Randolph want to close that gap. They may not have any money. But they have the future. Maybe.

The Blockbuster CEO remains silent. He, John Antioco, keeps the two men in suspense. «If we were to buy Netflix,» the saviour of a company finally utters, «what are you thinking? I mean, a number. What are we talking about here?»

It’s a second that feels like an hour. Hastings and Rudolph exchange nervous glances. «We’ve taken a look at recent comparables,» Randolph says before rattling off a ton of numbers and business analyses. Hastings starts to fidget.

«Fifty million dollars,» he finally interrupts.

Antioco was struggling not to laugh.

Five minutes later, the meeting was over. Blockbuster is not interested in Netflix.

«Well. Shit,» Randolph says, sarcastically raising a plastic cup on their flight back. Hastings smiles. Actually smiling and not hiding it.

«So it’s obvious what we have to do now,» he says. «It looks like we’re going to have to kick Blockbuster’s ass.»

The art of ass kicking

But Hastings is not about to give up. Together with his IT expert, he creates the boot that will kick Blockbuster Video’s ass: Cinematch Ranking, an algorithm that personalises movie suggestions. It basically works with three sets of data:

  1. Which movies users have already watched
  2. How they rated the movies they watched
  3. How other Netflix users rated the same movie

This teaches Cinematch what Netflix subscribers like and dislike. And results in surprisingly accurate movie suggestions. The algorithm also takes availability of the distributors into account. In other words, nothing is suggested that isn’t available. The subscribers love it: no more wasting time watching bad movies or looking for good ones. On the other hand, sceptics are saying that Netflix is controlling who gets to watch what and when.

The Cinematch ranking is soon followed by the second boot: the watchlist. It lets subscribers tag and automatically rent a movie as soon as their previous rentals have been returned to the distribution centre. At the time, there is no other DVD rental company as efficient as Netflix.

It’s a rainy afternoon in June 2003. Hastings is struggling with a dodgy umbrella. And curses. He’s just been to the Netflix distribution centre in Phoenix, Arizona. Goddamn umbrella! His BlackBerry rings. It’s a message. The sender is Marc Randolph.

«Reed, Netflix has cracked the one million subscriber mark! We’re in the black – finally!»

Netflix is out of the woods. Hastings couldn’t care less about the umbrella. He walks through the rain, soaked to the skin but feeling amazing. It’s one of those magical walks he will remember for the rest of his life.

The key to the future

Netflix is growing. At the end of 2005, the Californian company has 4 .2 million subscribers. In 2006, annual profits of 80 million dollars are reported. Everything is going great. But one person in the house of red envelopes is worried: Hastings foresees the demise of physical data carriers. Before anyone else does. A new business model is needed.

In late 2007, Hastings makes a decision: he introduces streaming. Without compromising.

However, should Hastings prove right, he is holding the key to the future in his hands.

That’s not just a number. They’re the same 20 million Blockbuster Video had when company-saving visionary Antioco welcomed the Netflix founders into his office on the 23rd floor of his office in the Renaissance Towers ten years previously. And laughed at them.

«Well. Shit,» says Antioco wearily.

He’s not laughing anymore. Netflix has just won the battle.

His ass has been kicked.

Blockbuster Video goes down

At the same time, DVD sales are dwindling. As predicted, the data carrier is slowly becoming extinct. At least in the entertainment business. The streaming boom kick-started by Netflix is definitely partially to blame.

This development really hits Blockbuster. The company declares bankruptcy in 2010. Thousands of stores are shut down in the years to follow. Even more people lose their jobs. In 2012, while Netflix starts producing its own content, such as «House of Cards», Blockbuster is struggling to put one foot in front of the other.

The giant is staggering. And comes crashing to the ground in 2014.

All because of 40 dollars.

image above: Wikimedia Commons / CC BY-SA 2.0

850 people like this article


User Avatar
User Avatar

I'm an outdoorsy guy and enjoy sports that push me to the limit – now that’s what I call comfort zone! But I'm also about curling up in an armchair with books about ugly intrigue and sinister kingkillers. Being an avid cinema-goer, I’ve been known to rave about film scores for hours on end. I’ve always wanted to say: «I am Groot.» 


Audio
Follow topics and stay updated on your areas of interest

Movies and series
Follow topics and stay updated on your areas of interest

Background information

Interesting facts about products, behind-the-scenes looks at manufacturers and deep-dives on interesting people.

Show all

These articles might also interest you

  • Background information

    Disney+ is here – making the same mistakes as Netflix

    by Luca Fontana

  • Background information

    Is Netflix doing away with series marathons?

    by Luca Fontana

  • Background information

    Cinema Wars: is Netflix destroying cinema as we know it?

    by Luca Fontana