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Father Christmas: from festive hero to advertising icon for Coca-Cola

Oliver Herren
26.12.2024
Translation: machine translated

Once upon a time, there was a friendly Father Christmas who brought joy to children and handed out presents. But then Coca-Cola came along and turned him into a symbol of commerce and consumerism.

The red and white uniform we know today was perfected by the brand and spread globally. Father Christmas has become a walking billboard for lemonade. A masterpiece of marketing: the very spirit of Christmas - contemplation, community and giving - has been transformed into a permanent sales event.

Before Coca-Cola, there was Santa - but different

Historically speaking, there were already depictions of a bearded, chubby man before Coca-Cola appropriated him. As early as 1863, the cartoonist Thomas Nast sketched a Father Christmas in red and white, and the New York Times also described such a Santa Claus in 1927. Coca-Cola thus built on existing elements, but helped them to become globally recognised through massive advertising.

Christmas: A celebration of... advertising?

Instead of charity, there are discounts these days, and instead of Christmas baubles, we find special promotions. Coca-Cola has also understood how to integrate a figure into a sales strategy. With clever campaigns, the somewhat overfed jolly man was anchored in people's minds.

Everyone knows the adverts with the Coca-Cola trucks at Christmas or commercials in which Father Christmas fulfils his role as an influencer and gleefully tastes the brown lemonade. The message is clear: drink Coca-Cola. Preferably lots of it.

And Coca-Cola has even managed to get other brands to pay licence fees in order to bring their own products onto the market that exploit the popularity of Coca-Cola Father Christmas.

From festival to consumption festival

Conclusion: consumption instead of contemplation

What remains is the realisation that Coca-Cola has turned Father Christmas into a well-oiled sales machine and Christmas has degenerated into a consumer party. Perhaps we should pause for thought at Christmas and think about what is more important to us: an old, commercialised fairytale character or the actual idea behind the festivities?

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Cool: Creating interfaces between the real world and the world of pure information. Not cool: Driving by car to the mall to shop. My life happens online, the information age is where I feel at home.


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