Halbschlaf

In the key of typical East, in the best sense, these are mood pictures that the author, born in 1951, published 'for his peers' after the fall of the Wall. Without accusations and without wanting or needing to justify himself. Realistic, highly factual and lively, he tells of a youth that almost inevitably leads to a life as an outsider and to the progressive detachment from the prescribed course of life. And he, who will not manage to escape from himself, is not 'the' Ossi at all, but a heartbreakingly accurately described human being. The pictorial power of the description does not fail to have an effect on people from other imprints. City, landscape, love, self-discovery, art, it's all interrelated and as concrete as the silhouettes of the prefabricated buildings at dawn. The fact that he has created his utopia at the bitterest point in German history.