Doch das Messer sieht man nicht

A sense of contemporary history meets dark thriller elements – striking, disturbing, and highly suspenseful.

Berlin 1927: Anais Maar is young and black, boxing and writing for a tabloid. When she is assigned to report on a series of murders of prostitutes, she senses her long-awaited opportunity for recognition. Meanwhile, the people of Berlin dance on a volcano – luxury, speculation, and nocturnal excesses stand in stark contrast to unemployment, inflation, and human misery. Anais fights not only against the Ripper of Berlin but also with the dangerous signs of a dramatic change in the era.