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Unser Wissen

Baudelaire (1821-1867) used, like many other writers of the 19th century, various ideas and images drawn from the old literary heritage. He may not have been the first to incorporate the devil into his work; he was preceded by Byron (1788-1824), who first regarded Satan as a friend of man in his Cain (1821). Although Baudelaire was accused of abandoning religion and moving towards disloyalty, his outstanding achievement in this field represented a form of modernity and an aesthetic literary style that garnered wide approval in his time, delivered in a religious tone that defended him against the attribute of unbelief. In this book, we aim to illuminate the method by which Baudelaire wrote his Fleurs du mal, which are filled with love and glorification of evil and are based on Baudelaire's dark vision of the world, life, and humanity. We will attempt to address this theme by discussing the causes and effects through illustrative examples drawn from Baudelaire's library of poems, and we hope that this study captures your attention.

Actual product image Die Exotik des Satansbildes in Les Fleurs du Mal (German, Nada Al-Nasser, 2024)

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