Der Schnittkontrast

From the point of view of the extent to which contrasts have an effect on the film through its montage, this work attempts to find a combination of the most important main components, editing, color, emotion, camera and frame (camera image), in relation to time. The known definitions of the different contrasts get a new meaning through the factor of time in film editing, just as the creative significance of montage gets an added value under the aspect of contrast. This work should help to recognize and understand the connection of the single already known design means, and their meaning for the creation of a certain film experience. Finding new ways of storytelling and their visual and dramaturgical design is a major task for young filmmakers and this work should contribute its part.