The Theatre of Marie Jones

CONTENTS: Eugene McNulty: Marie Jones and Charabanc: Popular Theatre in / for Northern Ireland - Charlotte J. Headrick: Finding her legs: Lay Up Your Ends and Marie Jones's international success - Deirdre O'Leary: Purchasing Power: Material Culture and the Function of America in Marie Jones's post Charabanc plays - Wei H. Kao: An Alternative Peace Process: Violence and Reconciliation in Marie Jones's Plays - Fiona Coffey: Marie Jones and the DubbelJoint Theatre Company: Performance, Practice, and Controversy - Eleanor Owicki: «I am a Protestant Man, I'm an Irish Man» : Politics, Identity, and A Night in November in Performance - Catherine Rees: Masculinity and the Performance of Gendered Identities in the plays of Marie Jones - Shonagh Hill: «Popular Feminisms» and the Radical Within: Menopausal Women's Desire for Visibility in Marie Jones's Women on the Verge of HRT - Dawn Fowler: Women's Suffrage and the Politics of Militancy in The Milliner and The Weaver.