Best selling Audio effects from RME Audio
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1. RME Audio M-16 Da
RME's M-16 DA is a 16-channel high-end DA converter with user-friendly operation and comprehensive features. The device combines excellent analog circuitry with outstanding next-generation AD converters, providing DA conversion at the highest level—16 times over! The M series offers an unmatched flexible foundation for implementing multichannel setups in professional studios, on stage, and in the broadcast sector. Digital/Analog conversion for 16, 32, 48, and 64 channels is possible through combinations of the M-32 DA and M-16 DA, tailored to application needs and budget constraints. Three hardware reference levels up to +24 dBu, MADI I/O, and ADAT input with up to 192 kHz, outputs via 6.3 mm jacks and D-Sub, remote control via MIDI, operation over a wide mains voltage range, and a compact 2U high chassis make this device unique. The M-16 DA expands RME's MADI line with exceptionally affordable multichannel conversion at reference level!
Highlights: 16-channel DA converter, dual balanced output, 118 dBA, only two rack units high 19" chassis, 1 x MADI I/O, 16 channels @ 96 kHz, 8 channels @ 192 kHz, 4 x ADAT In, 8 channels @ 96 kHz, 4 channels @ 192 kHz, Zero-Delay MADI I/O enables cascading without delay compensation, noise suppression on analog outputs when powering on and off the device, 16 LED level meters with 6 LEDs each, SteadyClock, digital hybrid clock for optimal sound, SyncCheck, unique technology for checking clock synchronization, permanent storage of all settings, fully remote controllable via MIDI and MIDI over MADI.
Connectivity M-16 DA: 16 x Analog Out, 1 x MADI I/O (optical and coaxial), 4 x ADAT In (TOSLINK), MIDI I/O (5-pin DIN), Wordclock I/O (BNC).
2. RME Audio M-32 DA Pro II
The M-32 Pro II series is designed to meet the demanding requirements of professional studios, immersive sound installations, live sound systems and industrial applications that require a reliable analogue converter solution with high-end network audio processing. These new converters are available with either 32 analogue inputs or outputs and AVB for a choice of four different models. With up to 32 channels, full MADI I/O, improved specifications with ultra-low distortion, intelligent channel routing and innovative ease of use, the new M-32 Pro II series represents the state of the art in exceptional audio performance.In addition to two MADI I/Os including separate signal routing, the M-32 DA Pro II features an AVB interface based on the open network standards IEEE 802.1 and 1722.1, which enables the transmission of 32 analogue channels with up to 192 kHz sampling rate via a single Ethernet cable. In conjunction with external AVB switches, the new M-Series converters can be quickly, easily and reliably integrated into more complex network structures thanks to the extensive time-synchronised signal processing of the AVB protocol. The AVB models transmit and receive up to 128 channels at 48 kHz (96 @ 96kHz, 64 @ 192k- Hz) and are fully controllable and configurable via ATDECC (IEEE 1722.1). This enables seamless integration into deterministic AVB networks.RME offers an AVB device with two fully redundant network ports, based on MILAN™ recommendations. The RME AVB-Core consistently implements the IEEE standards for audio streaming, discovery and control, so that RME devices can be both recognised and fully controlled by any AVB controller and manufacturer-specific control protocols are a thing of the past.
3. RME Audio Micstasy
The Micstasy from RME Audio is a highly advanced 8-channel microphone and line preamplifier as well as AD converter device designed for professional audio applications. With its outstanding sound quality and versatile applications, the Micstasy is ideal for recording studios and live events. The device offers both analog and digital signal processing, allowing for seamless integration into various audio setups. The MIDI remote control, including the ability to control MIDI over MADI, highlights the flexibility of the Micstasy. It supports a wide range of signal sources, from high-level stage signals to sensitive microphones, ensuring impressive sound fidelity. The advanced circuit technology and nearly noiseless gain adjustment make the Micstasy a top choice for audio professionals who demand the highest standards from their equipment.
- 8 balanced XLR mic/line inputs with 85 dB gain range
- Nearly noiseless gain adjustment in 0.5 dB steps
- Frequency range up to 200 kHz with special HF filtering
- 4 x AES/EBU outputs with 192 kHz support
- MIDI remote control, including MIDI over MADI.
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